Talith (they/them) is a genderfluid white able-bodied neurodivergent Brazilian transdisciplinary artist  living between Berlin and Brazil. They are, above anything, a storyteller and they use different media to shape their stories, being the main ones writing and performing. They grew up in a village in rural Minas Gerais, and since an early age, by the influence of an artist/educator mother, they were encouraged to explore their artistic side, acting in plays that would become part of a travelling theatre designed to educate the public about environmental issues of the region of Mantiqueira. Avid reader since childhood, Talith is an autodidact, having learned many things and skills by themself or from observing others. They studied International Relations at the Federal University of Rio de Janeiro, but quickly became frustrated with the academic world, which just reproduces violent structures that reinforce elitism, racism, ableism, cissexism and still value mainly knowledge produced by cis-white high/middle-class men from Europe and North America. They still managed to draw valuable knowledge from university – however not only from inside the classroom – like decolonial, feminism and queer theory, which they carried to their art, as a way of sharing the knowledge they gained from having the privilege of being in such an environment in a more accessible language than the academic one. In Berlin they started exploring drag performance through the character of Lilith the Quing, although they explore other characters as well, such as Ken Marroska, Miss Verständniss and Arthur King. Drag is as political and interdisciplinary as it gets, and that meant for Talith to merge and integrate all their passions together: art, writing, film, performance, queerness, gender (bending), music, dance, fashion, acting, crafting and activism. They use a lot of materials that would become trash, repurposing them as not only a sustainable choice, but also an anti-capitalistic one. Lilith the Quing performs regularly in venues like Silver Future, Tipsy Bear,  Salon – Zur Wilden Renate, Monster Ronson’s. Lilith is a member of the collective Venus Boys, having developed with them projects such as: This is Not Wonderland, an immersive walkthrough art experience part of Overmorrow at Salon – Zur Wilden Renate with installations and performances within the Alice in Wonderland theme; Not Dead Yet, a show presented at Cabuwazi Beyond Borders as part of Festiwalla; Siren Quingdom, a nautical treasure hunt funded by Draussenstadt; performance at the art event MONDO BIZARRO by the Berlin collectives Pornceptual, Buttons and Gegen; the festivals Fusion, Whole and go drag!, and Venus Boys Fluidity Show, hosted by Lilith the Quing, as part of Fluidity, an event funded by Draussenstadt and produced by the collective fluid.vision, which Talith is also part of and continues to organise events that involve music, art and education, as well as creating an environment for queer people to feel at ease and which encourages experimentation in gender expression for everyone, it became a resident party at Re:mise. They recently co-founded a Brazilian drag collective BR.ag Kultur (Brazilian Drag Culture), with other Brazilian artists based in Berlin to share some “tupinikim” magic with this cold continent and brag about how rich their culture is. More recently he has been performing at large-scale events such as Luxemburg Pride, Dragify, Mx Kotti, and at the Psicotrópicos festival of Brazilian culture together BRag Kultur, and was even a judge at the Schwuz Drag Open Stage Finale 2023. In 2021 and 2022 they also participated in the dramaqueer project and wrote the plays Mind the Gap, which had a public reading in Salon – Zur Wilden Renate and Unconditional, which was read in Salon – Zur Wilden Renate and public parks in the Friedrischain district of Berlin. They also acted in audiovisual productions such as Boom Boom Bruno; and Dream Dwellers by TV WOW!, an anticapitalistic streaming platform. Talith is currently pursuing a MA in Interdisciplinary Latin American Studies with a focus on gender studies at Freie Universität Berlin and is developing research on how drag can be a tool to explore non-binarity, queer/healthy masculinities and queer utopias in Brazil from a queer and de/anti-colonial perspective, recognising their whiteness and being critical about it.